Right Brain, Left Brain Blog

11 posts categorized "Fashion marketing"

05 June 2015

Ad Fail of the Week: Yves Saint Laurent's "unhealthily thin" model

Uh-oh, French fashion brand Yves Saint Laurent came under fire from the Advertising Standards Authority (ASA) this week for a new ad depicting a model that was deemed to be “unhealthily underweight”.

The ASA ruled a ban on the ad, which featured in Elle magazine, showing the model laid on the floor with her hands on her head exposing her chest which the regulator decided that “due to particularly lighting effect in the ad” highlighted where the model’s “rib cage was visible”.

The regulator stated: “Her thighs and knees appeared a similar width… particularly in light of her positioning and the contrast between the narrowness of her legs and her platform shoes. We therefore considered that the model appeared unhealthily underweight in the image and concluded that the ad was irresponsible”.

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20 February 2015

Outdoor Ad of The Week: Topshop real-time Twitter trends (UK)


In the fashion world, timing is everything. Topshop has already built up a bit of a reputation for bringing awesome experiences to its customers during fashion events. And this London Fashion Week, it’s stepping things up a notch!

This time, Topshop has teamed up with Twitter for four days (kicking off today Friday 20th until Mon 24th) to display emerging trends from the runway at London Fashion Week via giant digital billboards at various locations across the UK. These trends will also broadcast across Topshop’s own Twitter feed, its website and on a billboard at its London Oxford Street store.

Here’s the good part though: Customers who then tweet the trend hashtags back to @Topshop will receive a shopping list of current designs that tie in with those trends – to ensure that they are first in the know!

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05 March 2014

Digital tech brings the ‘FROW’ experience to life at LFW

London Fashion Week - one of the most highly anticipated events for fashion bunny’s across the UK. Once a phenomenon only intended for the fashion elite – it seems brands are now more than ever attempting to immerse consumers into the full fashion week experience through clever use of digital technology.

This year Topshop brought their AW14 collection to life through their 360 catwalk experience - live shows were streamed via screens in the windows of their flagship store in London’s Oxford Street.  Participants wore specially commissioned head-sets to enter the 360 degree virtual world which incorporated live feeds from the catwalk shows, backstage and VIP arrivals. The result of it – Topshop dominated the news for the duration of London Fashion Week, successfully upholding their status as leaders of the high street.

However, Topshop were not the first fashion brand to bring the catwalk experience to life…

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27 September 2012

Benetton: provocative or socially engaging?

The Italian Fashion brand Benetton has always made waves around the world for its provocative and shocking advertising campaigns. Its most well known campaigns include ‘Food for Life’, ‘La Pieta’ and the UNHATE campaign. However, Benetton claims to be changing tact and wants the brand to become more socially engaging, rather than shocking.

Benetton’s new campaign, called ‘Unemployee of the Year’, raises the issue of youth unemployment. It consists of a short film, a printed ad and a contest for young people to present a project in support of local communities, and the winning entries will receive funding from Benetton.



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14 October 2011

OTTO release the NOTHINGTOWEAR monster in Russia

The online apparel retailer in Russia, OTTO, have launched an interactive online campaign that creatively tackles the familiar crisis of having “Nothing to wear!” in an attempt to draw a younger audience.  

The protagonist of the campaign is the problem itself, in the shape of a terrible, albeit charming and cute, monster called NOTHINGTOWEAR (МНЕНЕЧЕГОНАДЕТЬ in Russian).

The interactive mock-horror video, starring Anna Kornilova, gives the viewer a choice between two options, such as (OPEN CLOSET) (DO NOT OPEN) and later (CALL BOYFRIEND) (CALL GIRLFRIENDS), allowing the viewer to dictate the plot of the story. Finally, it leads to OTTO's competition website encouraging the audience to participate with their own videos and photos of handling the monster.


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10 October 2011

Cream Daily: Hermès launches luxury saris in India

Luxury goods maker Hermès has launched a French-made limited edition range of Indian saris in a bid to connect with the Indian market.

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30 September 2011

Asia’s emerging markets welcome homegrown luxury

In our hunt for the Next 100 Global Challenger Brands that will feature in the next issue of M&M, we’ve come across an emerging paradigm in the luxury sector in Asia, aiming to recreate the authentic value of Eastern traditions and culture and replace the notions of luxury imposed by the West.

One example of this trend is the Hermès-backed Chinese luxury brand Shang Xia (meaning ‘topsy-turvy’ in Mandarin) that opened its first store in September last year in the upscale shopping area in Shanghai on Huaihai Road and has since managed to cause a great buzz without any advertising, PR or celebrity endorsements. 

Although Hermès had 20 stores in China already, Shang Xia was launched as a unique homegrown luxury brand led by a designer from Shanghai, Jiang Qiong Er, and is oriented towards traditional Chinese craftsmanship and materials in creating contemporary jewellery, apparel, housewares and furniture which is 100% manufactured in China. The move was initially received with scepticism, since Chinese consumers had developed a preference for foreign brands due to the perception that they are of better quality. Yet, Shang Xia successfully challenged this misconception and is now planning on opening another store in Beijing, followed by Paris as first steps towards going global.


Craftwomen display their skill on cashmere during the store opening of Shang Xia in Shanghai on 16 September 2010

According to Jiang Qiong Er, the Chinese homegrown luxury brands that had been present a century ago withdrew in the early 90s as the Western ones took over. However, gradually attitudes started changing as consumers stopped shunning all things Chinese aside, recognising a need to reconnect with their own cultural backgrounds and becoming more curious about their heritage.  

I think more people in China realize the importance of looking back to our cultural roots, going back and trying to re-evaluate the value of Chinese culture,” Jiang says in an interview for Jing Daily.

“More people here are starting to realize that, in our lives today, we’re dominated by Western lifestyles. But if you look back at the history of the world, you’ve got both Western and Eastern cultures. At one time, Eastern culture was on the peak, but that flipped. So maybe it’s time to flip it around again in some way.”


Interior of the Shanghai flagship

One of the strategies that sets Shang Xia apart from other luxury brands is prioritising time over profit with goals set in a 100 to 200-year timeline; since the essence of luxury is, in fact, time. Additionally, the marketing philosophy behind the brand is based on word of mouth, in a way to make consumers feel that they are discovering something themselves, or relying on a trusted source. Yet, this doesn’t imply a lack of proactive marketing, in fact, Shang Xia have come up with some highly insightful and creative solutions. For instance, they recently sourced designs of a unique cultural object on the theme of “Heritage and Emotion,” organised a two-week exhibition to showcase the winning object: a box called “Pass it On,” designed to keep family pictures and objects. At the exhibition, the brand set up a post office where visitors could send Shang-Xia designed postcards across the glove, with Shang Xia paid postage.

 In India, established designers such as Ritu Kumar and Sabayasachi Mukjerjee, who have been drawing inspiration from India’s ancient craft and fabrics, equally recognise the revival of homegrown luxury. 

Sabayasachi Mukjerjee's bridalwear collection

“A lot of Indian women like wearing clothing which defines them as Indian. I might be doing Western clothing, I might be doing Indian clothing, but there is always a common denominator, and that is India.  If you look at the approach, if you look at the artistry, if you look at the textiles, there’s always a strong indigenous feel,” Sabayasachi claims. His designs focus on using local, handwoven fabrics like khadi, handloom silk as well as regional arts like block printing, bandhani and gota.

Likewise, Ritu Kumar’s designs draw heavily on the textile and embroidery heritage of India. Her work under the brand ‘Ri’ will be featured in an upcoming Hindi film, Love Breakups Zindagi, due to be released in early October this year.

Shraddha Kapoor photoshoot for Anita Dongre's Global Desi collection

However, blending the best of the East and the West through modernisation of Indian traditional styles is beginning to gain recognition beyond the luxury sector in India with Anita Dongre’s high street fashion brand Global Desi that capitalises on “global style, Indian trends.”

Perhaps the flip to the East anticipated by Jiang Qiong Er isn’t that far from gaining international traction.


15 September 2011

Cream Daily--ASOS launches digital menswear marketing campaign

ASOS has launched its digital menswear marketing campaign, titled ‘The ASOS Urban Tour’, for its Autumn/Winter 2011 collection.


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  • Right Brain, Left Brain sums up the dichotomy of a media business that’s constantly battling with the challenge of delivering a profit and discovering new ways to communicate to consumers. The Cream editorial team combined with a dream team of industry pioneers from around the world share their expert opinions.

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