Right Brain, Left Brain Blog

817 posts categorized "Right Brain: creativity, innovation, ideas"

15 February 2012

Unveiling the BRAVES, by Noma Bar

Superheroes, like science fiction, are now acceptable to like in public. This trend can be attributed to a number of events: the cult series Heroes, the popularity of the DVD box-set that helped cult TV go mainstream and the new maturity of superhero representations on the big screen. The corny comic-book adaptations of the 1980s are now cult cinema curios compared to the superhero films that will hit screens in 2012; Christopher Reeve's square-jawed Superman would get a proper kicking from Christian Bale's Dark Knight. Confirmation of the hero concept as trend, if any were needed, arrives in form of the new Lego Superhero series that hits shops soon.

When we were working on the branding concept for the BRAVES, superheroes became part of the imagery very early on. An award that celebrated the heroes of video, needed to have some heroic figures to represent them. Eventually, the perfect amount of caffeine and lively discussion created a brief for the characters who would become The BRAVES, and this brief was brought to life by the brilliant artist, Noma Bar

Bar is famous for his deceptively complex graphic illustrations. Using blocks of colour and simple shapes, the man is a master of negative space and efficient graphic style. In short, he's a bit of a genius, and it's a bit of a coup for the BRAVES that he agreed to produce our characters.

Introducing: TEAM BRAVES

Braves_Team Braves

 

CAMPAIGN BRAVE

Braves_Campaign


Smart and strategic, Campaign BRAVE has a plan and is in control. A master of innovation and insight, his mission is to promote the best use of video in advertising campaigns. The Campaign BRAVES category promotes the best in video campaign innovation and creative planning. 

 

CONTENT BRAVE

Braves_Content

Content BRAVE is an artist, always looking to capture that moving image and experiment with new techniques and aesthetics. The Content BRAVES celebrate the art in video and specifically reward the role of branded video content where there brand has been involved from the outset. 

 

TECHNICAL BRAVE

Braves_Tech Craft

Nobody knows where he came from. With tools for platforms, players, analytics and distribution, strong, silent Technical BRAVE is essential to the video ecosystem. His best work often goes unnoticed, so the Technical BRAVES are designed to recognise the best technical contributions and innovations to the video landscape.

Information about the BRAVES.

Video-based case studies found on Cream.

An interview with Noma Bar.  

09 February 2012

Marketers miss the point of engagement

By Giles Ivey

T-Mobile-advert-001

Online advertising needs to be more transparent, accountable, and also more engaging. Marketers who believe that engagement starts and ends with the click of a Facebook ‘like’ button are missing the point.

We need to think about how brands can move away from more traditional ‘look-click’ ads, and instead work towards building stunning creative that drives deeper audience engagement and participation. This type of creative can deliver measurable results with the metrics that marketers need to demonstrate ROI.

The term ‘engagement’ has come under fire lately. The great marketing buzzword is now seen as little more than smoke and mirrors term designed to get brands to part with their cash. Perhaps that’s a little melodramatic, but we are seeing a backlash from brands against some of the traditional forms of engagement marketing because much of this activity is inherently unaccountable.

Flooding Liverpool Street station with dancers at 11am is one tactic, but this type of stunt engagement is at best difficult quantify. It’s also somewhat haphazard in that it is almost impossible to know exactly who will be passing through the station at that time. That’s not to say it isn’t a clever marketing trick to raise awareness of a brand or product, but in these tough times brand owners need something more than ‘clever’; they need results. They need to be able to see people interacting with their brands and they need to know their campaigns are delivering. Unfortunately, much of the time, we don’t really know that this is happening. Yes we can surmise, or guess, but we don’t know for sure.

The fact is, to corrupt the famous line from Orwell’s Animal Farm, some forms of engagement are more equal than others. For one thing marketers seem obsessed with Facebook ‘likes’, but what is the real value of this if brands are driving people to Facebook but then doing little with them once they are there? It would be interesting to see exactly how many people come back to a branded Facebook page after clicking the ‘like’ button. Currently these stats are conspicuous in their absence.

Facebook-EngagementLike for like's sake: The rush for empty engagement

For engagement to work, it needs to lead to a consumer action rather than simply being engagement for engagement’s sake. Clicking the ‘like’ button is not enough…spending time with a brand online, sharing something on social networks or making an online purchase directly from an ad are actions that can be measured and quantified.

Over the past decade, we have seen an increasing migration away from traditional media towards digital. This has led to brands looking for new ways to connect with their target audiences. Times were a lot easier for marketers when all they had to worry about was which paper to run their ads in and what time slot to show their TV ad. Today they have a raft of choices, yet the reality is consumers are most likely to interact with brand advertising online or on some sort of mobile device.

However, the current structure of online advertising leaves a lot to be desired. The go-to model for online advertising is CPM (cost per thousand), with brands paying every time someone navigates to the page their ad is on. Not surprisingly CPM doesn’t deliver staggering results – an industry standard of 0.3% or 3 clicks out of every 1000 page impression, and how many of those are people clicking on them by accident?

CPE (cost per engagement) on the other hand is a model that delivers transparent and measurable results, as well as a click through rate of 1% (almost 300% more than CPM). How does it work? By putting a time delay on expanding online ad units (normally a 3-2-1 countdown), advertisers are only charged once the online ‘experience’ has fully loaded – this removes charging for any erroneous rollovers. These online experiences can include anything from video, to games, to social network interactions. And they are also measurable. We can tell exactly how long people have stayed with the brand experience, what they have done and also, where they have interacted with a social network - way beyond anything you could possibly hope for via CPM.

The fundamental basis of CPE is about creating online experiences that encourage consumers to undertake an action on behalf of the brand – sharing, posting, tweeting, starting a conversation or watching a video. Through CPE consumers spend an average of around 23 seconds with brands. This is as powerful as any other form of engagement marketing channel and can be crucial when it comes to building relationships between brands and audiences.

No media channel is 100% measurable and there are faults with every measurement. But an engagement online when you are putting a message in a certain environment, where you know your target market will be and only paying when someone actually spends time with your brand, has got to be more appealing – and indeed more transparent – than trying to capture the attention of whoever happens to be walking through Liverpool Street at 11am on a Tuesday morning.

Giles Ivey is UK Managing Director of SAY Media.

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27 January 2012

Great work, crap logo

BETC Euro RSCG reportedly have a new logo. Now I quite like BETC's work, its recent 'Pronounce responsibly' campaign for Cockburn's port is really good. I could even live with the constant Boris-bashing that dominates the company blog. But the new logo is a bit rubbish. The Wifi bee is cute, but the logo typeface, to me at least, says more 'provincial 1970s high street' than '21st century advertising agency'. 

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Lego's (unauthorised) space mission

A recent video gathering a lot of attention on YouTube tracks what could be the first journey into space by a Lego man. This isn't an official mission by Lego, but a more amateur effort by a team in Canada. Full footage of the trip and its preparation will be released soon, but for now you can enjoy this astonishing trailer. 

 

A few brands have ventured into space, or at least the fringes of it, for the occasional marketing stunt. Adrenaline junkie Felix Baumgartner threw himself out of a plane at the outer reaches of Earth's atmosphere for Red Bull and Sappuro in Japan sold a limited edition beer brewed from barley grown in spaceToshiba decided to launch a collection of chairs into space, which probably made more sense at the time - but nevertheless made for some striking visuals. 

Campaign of the week: IKEA

Cream's 'Campaign of the week' newsletter is out now - featuring IKEA's brilliant work on the Paris Metro, LG's mischievous flat-screen heist video and some advice on two-screen strategies from Billington Cartmell's Dan Machen

IKEA apartment constructed on the metro

'Campaign of the week' delivers a weekly shot of inspiration,innovation and insight straight to your inbox. Subscribe to it on the Cream homepage or read it here

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26 January 2012

Agency IP robots

Tokyo-based agency Party, who were responsible for the interactive painted billboard/website project for Toyota last year, has created a brilliant music video for Japanese electronica band Androp. Obviously, as this is Japan, the robots are cool, cute and incredibly desirable. 

 

Making-Of androp

The film is a triumph of sound-activated robotics, and in an unusual twist on the 'product placement in music video' business model, a limited number of robots were placed on eBay (yours for a cool $5,000). Depending on its success, Party plan to release more robots for sale with some planned for general sale.

See Party's work for Toyota on Cream. 

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25 January 2012

YouTube in pictures

Youtube 2
Despite the furore surrounding the privacy policies of its products, there's no denying that Google have produced some very neat branding projects of late. As pieces of work, they're often uncomplicated and breif, but incredibly charming. Recent highlights include the wonderful Pac-Man anniversary game and the Freddie Mecury-inspired video.

We've heard for so long now the impressive statistics about just how much video content exists on YouTube, that those gargantuan figures don't seem all that impressive anymore. With one hour of content uploaded every second, Google have built a little site to remind everyone just how obsessed we all are with uploading cat videos and make-up tutorials. 

 

It features some neat graphics (that could easily be lifted for any upcoming PowerPoint presentations...) and is a useful reminder of just how important the online video medium has become

Remodelista: An online magazine that actually looks good

For a magazine enthusiast like me, the words 'online magazine' don't often conjour images of anything exciting. I like my mags to be little works of art. I'm a mag-snob, and I'm not ashamed to say so. Monocle might be pretentious, but I love it. I happily pay the premium for Wired (US) instead of the UK version as the American edition is much more fun, even if the design is a little reckless. Another current favourite is the quarterly M/I/S/C, edited by the brilliantly monikered Idris Mootee, which I highly recommend to anyone interested in the world of media and creativity. I especially love trawling the newsagents of Soho, looking for those enormous coffee-table busting magazines that boast gorgeous front covers and limited print runs. 

Online, things are often a different matter. Publishers, as a general rule, make bloody awful website versions of their magazines. They know what looks good on paper, but fail to translate that skill online. This is often because of a technology gap that requires the services of an IT department. Before you know it, a crystal clear artistic vision get trampled upon by HTML code and search optimisation creating flabby, ugly, inflexible content graveyards.  

Fortunately, things are beginning to change, thanks to the work of folk like those at SAY Media , the digital publisher and consumer engagement specialist. They have raised the bar for online magazines with the redesign of its international home interiors website, Remodelista.  The new publishing format makes it easier for editors to create beautiful, cross-platform media experiences, readers to navigate and discover relevant content and products, and advertisers to reach highly-engaged audiences. New features include better tools for writers and a modern content management system that creates an “art department in a box” allowing for richer content experiences for readers and advertisers.

Remodelista
New search and navigation tools allow readers to search Remodelista’s entire content library by room, colour and type of product, from bathroom fixtures to flooring. The site’s variable scrolling function allows readers to focus on featured content while easily accessing new content in a separate reference bar.


The new City Guide section features more than 1,000 posts on hotels, lodging and restaurants all over the world, organized according to location. Weekly issues give readers a quick means to browse back issues by theme and date, and enhanced sharing capabilities allow them to pass on relevant content more easily via Twitter, Facebook, and Pinterest.

 Remodelista’s new design features a premium environment that gives advertisers a clutter-free canvas to engage a highly influential and specialised audience. Similar to Remodelista’s sister site xoJane.com the site features one large brand ad unit per page. The new adaptive scrolling technology increases brand visibility by lengthening the time the ad unit remains on-screen – an innovative approach to online marketing.

"Remodelista’s redesign brings many user-focused improvements, including the City Guides section that will give the editorial team an exciting opportunity to grow our audience here in the UK. City Guides are a natural development from Remodelista's keen interest in design from around the world." - Christine Hanway, London-based Executive Editor of Remodelista

About this blog

  • Right Brain, Left Brain sums up the dichotomy of a media business that’s constantly battling with the challenge of delivering a profit and discovering new ways to communicate to consumers. The Cream editorial team combined with a dream team of industry pioneers from around the world share their expert opinions.

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